Ballroom Tango emerged in the slums of Buenos Aires in the late 19th century. Argentine gauchos and migrating Black communities mingled in the infamous Barrio de las Ranas, sharing rhythms, dances, and cultural expression. Much of this early Tango grew in and around the district’s brothels and social clubs, giving it an earthy, passionate flavor and a controversial reputation. As with the Waltz before it, the social taboo only seemed to make Tango more compelling.
Tango arrived in the United States just before the First World War and quickly became a nationwide sensation. Vernon and Irene Castle popularized it, becoming America’s dance sweethearts. Tango teas and dance halls sprang up everywhere, and couples even danced between courses at fine restaurants. Rudolph Valentino further fueled the craze with his iconic Tango in the silent film Four Horsemen of the Apocalypse.
The style varied widely until the 1920s, when the Imperial Society of Teachers of Dancing standardized the ballroom form we recognize today.
Tango is a dramatic, grounded dance featuring a compact hold (closer than other Smooth dances), lowered center of gravity, and strong use of Contra Body Movement (CBM).
Movement is stealthy and deliberate—almost catlike—with a distinctive staccato quality in both foot placement and body shaping.